The Sealed Letter(New York: Harcourt, 2008; Melbourne: Scribe, 2009; London: Picador, 2011). Based on a scandal that gripped Britain in the 1860s, this domestic thriller – my sixth novel - explores a feminist spinster’s reluctant involvement in a sordid divorce. Joint winner of the Lambda Literary Award for Lesbian Fiction, longlisted for the Scotiabank Giller Prize and the Orange Prize, a Now Magazine Top Ten Book of the Year. Reached No. 7 in paperback fiction sales in the UK and No. 1 in Ireland. The Sealed Letter is out in Dutch and forthcoming in Russian, and as an audiobook from Picador.
A personal note: I see The Sealed Letter as completing a sort of trilogy of investigations of the British class system, from the desperation of poverty in Slammerkin, though the complexities of the genteel in Life Mask, to the bourgeois embarrassments of The Sealed Letter. This is my first nineteenth-century novel, and what surprised me about the 1860s was its modernity: urban stress, omnipresent advertising, high-speed communications, heated debates about the breakdown of the family… Technically, what was new for me with The Sealed Letter was that – to make the most of the suspenseful court case - I really focused on plot, shaping and reshaping it before I began drafting the scenes.
To buy The Sealed Letter
In the US, paperback:
In the UK/Ireland/Australia, paperback: http://www.panmacmillan.com/book/emmadonoghue/thesealedletter?format=978144720598201
In Canada, paperback: http://harpercollins.ca/books/Sealed-Letter-Emma-Donoghue/?isbn=9781554680375
‘A page-turning drama packed with sex, passion and intrigue.’ – Daily Mail
‘The author interlaces hard-hitting historical fact and imaginative fiction into the narrative with a deft and breezy touch: the reader can almost hear the characters' voices long after closing the book.’ – Sunday Telegraph
‘A glorious piece of Victoriana: it's elegant and well-constructed, it's finished off with fancy swoops and swirls, but it's also a great work of industry. It's like the London that Donoghue describes in the first few pages, a big clanking machine that sucks you in, and it's powered by some of the most important subjects any novel can tackle: friendship, marriage, loyalty and a most important question - who can you trust?’ – Sunday Herald
‘A real page-turner, like the Victorian potboilers Fido reads in secret. It is also a sensitively-managed story of female friendship gone wrong; an essay on the manners and mores of Victorian London; a history of the early pioneers of the women’s movement; and a thriller about adultery… an involving story, impeccably researched and a pleasure to read.’ – Sunday Business Post
‘Cosily lurid… As with Donoghue’s previous novels Slammerkin and Life Mask, the plot is psychologically informed, fast paced and eminently readable… Donoghue’s sympathy for all three of her central characters emerges through intimate narration and lifts the novel out of the tabloid muck.’ – New York Times Book Review
‘A wicked tale of Sex and the Victorian City… Donoghue weaves an engrossing and often quite funny melodrama about a bad, bad girl who bursts the seams of this corseted world — it's part "Forever Amber" and part clockwork courtroom drama, with bawdy undercurrents of forbidden love thrown in for good measure. All in all, a deliciously wicked little romp, complete with a clever twist at the end.’ – Seattle Times
‘A thoroughly riveting courtroom drama… Juicy, vicious, elegant and thoughtful.’ – Globe and Mail
Natasha Alden (Aberystwyth University), 'The Contemporary Lesbian Past', paper delivered at Women Writing Across Cultures Conference (Oxford University, 2014).
“‘Not the Kind of Thing Anyone Wants to Spell Out:’ Lesbian Silence in Emma Donoghue’s Neo-Victorian Representation of the Codrington Divorce,” 2.2 (2013), 13-43,
Claire O'Callaghan, ' "Smash the Social Machine": Neo-Victorianism and Postfeminism in Emma Donoghue's The Sealed Letter,' http://www.neovictorianstudies.com/issues/NVS%206-2-3%20C-O'Callaghan.pdf
Malwina Degorska, ‘…so much to say, and little of it speakable’: Closeted Queer Identities in Colm Toibin’s The Master and Emma Donoghue’s The Sealed Letter,’ paper delivered at Queer Sexualities conference (Warsaw, 2011).
‘The M Word: Chris Roulston Interviews Emma Donoghue about The Sealed Letter,’ (2011), http://www.picador.com/blog/october-2011/the-sealed-letter-emma-donoghue-interview
Interview with Donoghue on BBC Radio 4's Front Row, October 2011, http://www.bbc.co.uk/programmes/b0169449
Kevin Power, ‘Letter displays a way with words’, Sunday Business Post, 16 Oct 2011.
Interview and reading on Australian National Radio (2009), http://www.abc.net.au/rn/bookshow/stories/2009/2669529.html.
Marilynn Richtarik, ‘A Woman of the World’, Irish Literary Supplement, Fall 2008
Alice Lawlor, ‘Emma Donoghue’s historical novels’, Xtra (Toronto), 29 July 2008, http://dailyxtra.com/canada/news/emma-donoghues-historical-novels
Susann Cokal, ‘Suffering Suffragist’, New York Times Book Review, 5 October 2008
Cynthia MacDonald, ‘Dalliance and Divorce in Victoria’s England’, Globe and Mail, 19 April 2008