Text Size

Robert McCrum, 'After Room, Emma Donoghue's latest novel shows that she is a true original,' Independent March 2025, https://www.the-independent.com/arts-entertainment/books/features/emma-donoghue-room-new-book-paris-express-novel-b2716611.html

Conversation with Allegra Goodman, https://lithub.com/allegra-goodman-and-emma-donoghue-on-writing-stories-inspired-by-their-kids-and-their-books/

James Little, 'Confinement and the Transnational in Emma Donoghue's Room,' Open Library of Humanities 8 (2), 2022, Special Collection: Local and Universal in Irish Literature and Culture, https://olh.openlibhums.org/article/id/8774/ A brilliant exploration, situating Room in the 'transnational' context of my whole career.

David Clare, Fiona McDonagh and Justine Nakase, The Golden Thread: Irish Women Playwrights, 1716-2016, Volume 2 (1992-2016) (Liverpool University Press, 2021)

Linda Garber, Novel Approaches to Lesbian History (Palgrave Macmillan, 2021), Introduction.

Ellen McWilliams, 'Transatlantic Encounters in the Writing of Emma Donoghue', in her Irishness in North American Women's Writing: Transatlantic Affinities (Palgrave Macmillan, 2021), pp.161-180.

Abigail L. Palko, ‘Emma Donoghue’, in The Wiley Blackwell Companion to Contemporary British and Irish Literature (2020)

Ciaran O'Neill, ' ‘The cage of my moment’: a conversation with Emma Donoghue about history and fiction,' Journal of Historical Fictions 2:2, 2019 http://historicalfictionsjournal.org/pdf/JHF%202019-126.pdf

https://www.thestar.com/entertainment/books/2019/09/03/writer-emma-donoghue-on-why-children-have-such-a-hold-on-her-imagination.html

Michael Lackey, ‘Ireland, the Irish, and Biofiction,’ in Éire-Ireland, 53:1-2 (Spring/Summer 2018), 98-119.

Michael Lackey, ‘Emma Donoghue: Voicing the Nobodies in the Biographical Novel,’
 in Éire-Ireland, 53:1-2 (Spring/Summer 2018), 120-133, and in his ed. Conversations with Biographical Novelists: Truthful Fictions across the Globe (London: Bloomsbury, 2018), 81-92.

Libe García Zarranz, TransCanadian Feminist Fictions: New Cross-Border Ethics (Montreal: McGill-Queens University Press, 2017) studies my work (Slammerkin, The Woman Who Gave Birth to Rabbits, Room and Astray) alongside that of Dionne Brand and Hiromi Goto.

Renee Fox (University of California, Santa Cruz), "Queering the Archive in Emma Donoghue's Neo-historical Fiction," paper delivered MLA 2017 (Philadelphia).

Stephanie Scott (Penn State), "At Home in the Nation: Hermeneutical Injustice in the Works of Jamie O'Neill and Emma Donoghue," papered delivered MLA 2017 (Philadelphia).

'Emma Donoghue, in conversation with Abby Palko,' 17 July 2017, http://breac.nd.edu/articles/emma-donoghue-in-conversation-with-abby-palko/ A probing interview about my entire career.

http://lithub.com/emma-donoghue-and-laird-hunt-on-writing-historical-women/

http://www.cbc.ca/radio/q/schedule-for-thursday-december-8-2016-1.3885126/emma-donoghue-s-musical-tribute-to-dublin-ireland-1.3885485

Debbie Brouckmans, 'The Short Story Cycle in Ireland: From Jane Barlow to Donal Ryan', PhD thesis (U of Leuven) 2015. A superb analysis of my story cycles as historiographic metafiction. https://core.ac.uk/download/pdf/34624902.pdf

Camille Harrigan (Concordia), "Reconciling Irishness and Queerness for the New Ireland: Emma Donoghue’s Early Work and the Voices of ‘Others’," paper delivered SOFEIR conference UNHEARD VOICES (Paris), March 2015.

Susan McCallum Smith, 'Snap, Crackle and Pop', Dublin Review of Books, May 2014. Brilliantly insightful review of my entire career through the lense of Frog Music. https://drb.ie/articles/snap-crackle-and-pop/

Heather Ingman, Irish Women’s Fiction: From Edgeworth to Enright (Irish Academic Press, 2013), 247-48, discusses my fiction from Stir-fry to Room.

Reading from 'A Short Story' (in The Women Who Gave Birth to Rabbits) and talking about writing factual historical fiction at American Academy of Arts and Sciences, 11 October 2013, http://www.youtube.com/watch?v=zEpFiYSRGuw

Noah Charney, 'Emma Donoghue: The How I Write Interview', thedailybeast.com, 24 October 2012, http://www.thedailybeast.com/articles/2012/10/24/emma-donoghue-the-how-i-write-interview.html

Tom Ue, ‘An extraordinary act of motherhood: a conversation with Emma Donoghue,’ Journal of Gender Studies, 21:1 (2012), 101-106,
http://dx.doi.org/10.1080/09589236.2012.639177

Dearbhla McGrath, ‘Marginal Identities: Representations of Sexuality in the Work of Emma Donoghue,’ paper delivered at Écrivaines Irlandaises / Irish Women Writers Conference (Université de Caen Basse-Normandie, 2010).

Jennifer M. Jeffers, “The Reclamation of ‘Injurious Terms’ in Emma Donoghue’s Fiction” in A Companion to Irish Literature, Vol. 2, ed. Julia M. Wright (Oxford: Wiley-Blackwell, 2010), 425-35.

Judy Stoffman, ‘Writer has a Deft Touch with Sexual Identities’, Toronto Star, 13 January 2007.

Maureen E. Mulvihill, ‘Emma Donoghue’, in Irish Women Writers: An A-Z Guide, ed. Alexander G. Gonzales (Westwood, Conn: Greenwood Press, 2006), 98-101.

Brian Cliff, ‘Anne Enright and Emma Donoghue: The Desire to Belong in Contemporary Irish Fiction’, paper delivered at IASIL Conference (Sydney, 2006).

Eibhear Walshe, ‘Emma Donoghue, b. 1969’, in Anthony Roche, ed. The UCD Aesthetic: Celebrating 150 Years of UCD Writers (Dublin: New Island, 2005), 274-84.

Charlotte Abbott, ‘Protean Talent’, Publishers Weekly, 10 October 2004.

‘A Liking to be Noticed’, Sunday Independent (Ireland), 1 August 2004.

Kersti Tarien Powell, ‘Emma Donoghue’, in Irish Fiction: An Introduction (New York and London: Continuum, 2004), 108-110.

Jennifer M. Jeffers, The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power (New York: Palgrave, 2002), 90-107.

Stacia L. Bensyl, ‘Emma Donoghue’, Dictionary of Literary Biography, Vol. 267, Twenty-First Century British and Irish Novelists, ed. by Michael R. Molino (Columbia, SC: Bruccoli Clark Layman, Inc, 2002).

Helen Thompson, interview in Irish Women Writers Speak Out, by Caitriona Moloney and Helen Thompson (Syracuse, NY: Syracuse University Press, 2002), 169-180.

‘Don’t Tell Me You’ve Never Heard of Emma Donoghue’ (cover story), Eye Weekly (Toronto), 17 October 2002.

Anne Fogarty, ‘Lesbian Texts and Contexts: The Fiction of Emma Donoghue and Mary Dorcey’, paper delivered at Munster Women Writers Conference (2001).

Antoinette Quinn, 'New Noises from the Woodshed: The Novels of Emma Donoghue,' in Contemporary Irish Fiction: Themes, Tropes, Theories, ed. by Liam Harte and Michael Parker (London: Macmillan, and New York: St Martin's, 2000), pp.145-167.

Stacia Bensyl, ‘Swings and Roundabouts: An Interview with Emma Donoghue’, Irish Studies Review, 8, No. 1 (2000), 73-81.

'Emma's Exploits', Globe and Mail (Canada), 7 October 2000.

'Loose Lives', Irish Examiner, 5 August 2000.

'All Het Up', Time Out (London), 2 August 2000.

'Writer in Residence', Image Magazine (Ireland), July 2000.

S. Díez, "Women's Homoerotic Voice in the Works of Emma Donoghue: Discovery and Assertion", paper delivered at IASIL (1999).

'Irish Spring', Bay Area Reporter, 1 April 1999

Rachel Wingfield, 'Lesbian Writers in the Mainstream: Sarah Maitland, Jeanette Winterson and Emma Donoghue' in Beyond Sex and Romance: The Politics of Contemporary Lesbian Fiction, ed. by Elaine Hutton (London: Women's Press, 1998).

Tonie van Marle, 'Emma Donoghue', in Gay and Lesbian Literature: Volume Two, ed. by Tom Pendergast and Sara Pendergast (Detroit: St James Press, 1998).

'We've a Long Way to Go', Gay Community News (Ireland), April 1997.

Marilyn R. Farwell, Heterosexual Plots and Lesbian Narratives (New York and London: New York University Press, 1996), 170-71, 176.

'Sect Goddess,' Diva, April 1995.

'Family Ties: Frances Donoghue on her daughter, Emma Donoghue,' Sunday Tribune, 26 March 1995.

'Relative Values: Emma Donoghue, lesbian novelist and playwright, and her father, Denis, academic and critic,' Sunday Times, 26 March 1995.

'The Bishop and the Lesbian,' Guardian, 22 March 1995.

'Faith, Hope and Sexual Clarity,' Times, 23 February 1995.

  • All
  • For Children
  • Novels
  • Short Story Collections
  • Default
  • Title
  • The Paris Express:  Inspired by a French railway disaster of 1895 that went down in history thanks to a set of surreal photographs, this sweeping thriller brings together characters real and invented, rich and
    Read More +
  • Learned by Heart:  The heartbreaking story of two very different women - diarist Anne Lister, the inspiration for the series Gentleman Jack, and orphaned biracial heiress Eliza Raine - who meet at fourteen and upend each
    Read More +
  • Haven: In this adventure story set around the year 600, three Irishmen vow to leave the world behind and set out in a small boat to found a
    Read More +
  • The Pull of the Stars: Dublin, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work, risk, death and unlooked-for love.
    Read More +
  • Akin: A tale of love, loss and family, in which a retired New York professor’s life is thrown into chaos when he takes his great-nephew to the French Riviera, in hopes of uncovering his own
    Read More +
  • The Wonder: The Irish Midlands, 1859. An English nurse, Lib Wright, is summoned to a tiny village to observe what some are claiming as a medical anomaly or a miracle - a girl said to
    Read More +
  • Frog Music: Summer of 1876: San Francisco is in the fierce grip of a record-breaking heatwave and a smallpox epidemic. Through the window of a railroad saloon, a young woman called Jenny Bonnet is
    Read More +
  • Room (London: Picador; Toronto: HarperCollins Canada; New York: Little Brown, 2010), my Man-Booker-shortlisted seventh novel, is the story of a five-year-old called Jack, who lives in a single room with his Ma and has
    Read More +
  • The Sealed Letter (New York: Harcourt, 2008; Melbourne: Scribe, 2009; London: Picador, 2011). Based on a scandal that gripped Britain in the 1860s, this domestic thriller – my sixth novel - explores a feminist spinster’s
    Read More +
  • Landing (New York : Harcourt, 2007).  A contemporary love story about emigration, Landing – my fifth novel - is set in boomtown Ireland and smalltown Canada. In 2008 the Golden Crown Literary Society
    Read More +
  • Life Mask (New York: Harcourt; London: Virago, 2004), my fourth novel, is about a love triangle in 1790s London, among the elite who moved through the overlapping worlds of art, politics, sport and theatre.
    Read More +
  •  Slammerkin (London: Virago, 2000, reissued 2012; New York: Harcourt, 2000; Toronto: HarperCollins Canada, 2009).  Inspired by a murder that took place in the Welsh Borders in 1763, Slammerkin, my third novel (and first historically
    Read More +
  • Hood (UK 1995, US 1996, reissued 2011). Penelope O’Grady and Cara Wall are risking disaster when, like teenagers in any intolerant time and place—here, a Dublin convent school in the late 1970s—they fall in
    Read More +
  • Stir-fry (1994). My first novel, Stir-fry is a coming-of-age story about Maria, a seventeen-year-old girl from rural Ireland who goes to university in Dublin and accidentally moves in with a lesbian couple.
    Read More +
  • Astray (2012). This sequence of fourteen fact-inspired fictions about life-changing journeys to, in and from North America, which I have been writing one by one over the past decade and a half, is my
    Read More +
  • Three and a Half Deaths  (UK/Ireland ebook, 2011). An accident, a suicide, an act of criminal negligence and a near-death experience.  Published by Picador as a Short Reads ebook in December 2011, bringing together
    Read More +
  • Touchy Subjects  (New York: Harcourt; London: Virago, 2006). My eighth book of fiction, this collection of contemporary stories about taboos and embarrassment ranges from Ireland to Louisiana, Canada to Tuscany, and includes characters old,
    Read More +
  • The Woman Who Gave Birth to Rabbits (New York: Harcourt; London: Virago, 2002), my fifth book of fiction and second story collection, is a sequence of short stories about peculiar incidents in the history
    Read More +
  • Kissing the Witch: Old Tales in New Skins  (UK title, Kissing the Witch) (New York: Joanna Cotler Books, 1997), my third book of fiction and first story collection, is a sequence of thirteen re-imagined
    Read More +
  • The Lotterys More Or Less: the second book about the four-parent family sees their winter holiday plans disrupted when an ice storm shuts down Toronto. The Lotterys Plus One: The first in a series
    Read More +